Sanctuary of Cabeiri

Religious Center of Thrace

As we mentioned, the Mysteries of the Cabeiri are much older than the ones of the Orphics. The cult however was also widespread in mainland Greece, and one of its centers was the sanctuary of the Cabeiri near Thebes. This cult was associated with that of Demeter the so-called “of the Cabeiri” and used, as opposed to the Orphics, the curvilinear architecture above the ground. Despite this, the worship of the Cabeiri is incorporated into the Eleusinian Mysteries (read here). The cult of the Orphics is Heliocentric (Apollo), the cult of the Cabeiri on the other hand is Geocentric (Gaia). Another important difference was that in the Eleusinian Mysteries the initiates had to speak the Greek language, while in the Cabeiri Mysteries anyone could be initiated, Greek or foreign. The geocentric system was supported by Aristotle who with his prestige also influenced the opinion of the christian world against Aristarchus from Samos, who was accused in 286 B.C. and was forced to flee to Alexandria. While Plato covertly accepted the Heliocentric theory of the Orphics.
This cult is introduced to prehistoric Rome in 1300 B.C. through the Etruscans and, according to Herodotus, comes from a region of northwestern Turkey, Lydia. In Caria there was a town named Cabera. Of all religious centers of antiquity, most inscriptions of the Roman period were found in Samothrace, where the Roman pilgrims were numerous. Samothrace was considered by the Romans to be a National Sanctuary, because they believed that the gods of Rome came from there, where they had arrived from Troy. These gods were brought to Rome by Aeneas who, according to the legends of the Romans, founded Rome. This is the reason the Romans preferred the initiation of Samothrtace, into the Cabeiri Mysteries rather than the Eleusinian. Marcellus, Cicero, Ouarrchon and Hadrian are some of those who visited the island of Samothrace and were initiated to the Cabeiri Mysteries.
So then, based on the above, namely the intervention of the Romans, the Orphic logic of Delphi started to change, all of the curvilinear structures of the Underworld, the arc the arch and the dome began to be released and to rise to the surface.

pantheon-rome-dome

Pantheon of Rome is a great example of Curvilinear architecture ascending in the surface (reform of August)

All that we have mentioned in the article “Celestial and Chthonic – Sacred Architecture” is a time spanning process, so that the religious template is clearly defined and the entire Pantheon of the Greeks becomes accepted by the believers and encompasses upwards, but also downwards. Based on everything mentioned in the 1st Part of the book “Holy Sacramental Journey to Greece”, we observe that the above logic corresponds to the religious template we described with the chthonic and celestial gods and is about the Mythology of the Titanomachy and the Gigantomachy.
In this Mythology of Duality the concepts of “attraction” is incorporated, because it is about the relationship between opposing forces, where one is connected with the other, but also “repulsion“, which is the result of the clash of said forces. If however one of these forces is abolished, the logic of “universal attraction” is lost, resulting in the chthonic powers not cooperating with the celestial ones.

mr-image12-parta

In the above image, we observe the logic of the Orphic template, as forces positive (+) and negative (-), which were in balance. With the abolition of the negative force, the system will create an upwards tension, resulting in the Basilica becoming a Domed Basilica (Celestial Dome) during the Christian period. Through this logic we realize how complete the Orphic worship was.
When then in 17 B.C. the Emperor Augustus abolished the chthonic gods for political reasons and later on, during the christian period, it was forbidden for people to associate themselves with chthonic forces, two basic problems started to emerge:

On the one hand issues of occultism and witchcraft started to emerge because the christian cult did not include the chthonic forces like the Orphic one, which troubled and still troubles mankind, reaching to the extreme cases of the “Holy Inquisition”.

On the other hand the concept of “universal attraction” was lost and these consequences will become evident in science. There was a period of 1.659 years until the time of Newton (1642-1727 A.D.), for the law of universal attraction to be discovered.

Celestial and Chthonic

Rectilinear and Curvilinear architecture

Let us see the logic through which the clergy separated the rectilinear from the curvilinear shapes, to create the architectural systems we mention in the 1st part of the book “Holy Sacramental Journey to Greece” (by author G. Baltoyannis); a logic which had to do with the psychology of the individual. Even to this day we follow the same logic and express ourselves with designs and volumes in the same way. Today however it is difficult to say if our own perception of space is a spontaneous expression or if it comes from the processing of the past.
Nowadays when an artist wants to express “joy” or “sorrow”, he will use the same logic on the canvas, otherwise he will not be understood. Therefore through education we learn to distinguish the things, in order to understand the artist. Of course art nowadays is not bound by rules, based on which the art critic gave his opinion on the work of the artist and which started to be created during the Renaissance. These rules came from the interpretation of the works of art of antiquity. Therefore our opinion is very deeply rooted. Let us now observe the logic of the Ancients.
There was a clear distinction between a straight line and a curved part. When someone wants to express a powerful emotion, like passion, love or anger and has to choose between a straight line and a curved part, he will not choose the rectilinear but the curvilinear; on the contrary, if he wants to express thought, justice, conviction, he will use the rectilinear part.
The reason he would choose the curvilinear would not be because that was forced upon him, ergo it would have been a matter of habit, but because man lives and belongs to the natural environment, where everything is based on curvilinear shapes; he instinctively and spontaneously understands those, without being able to see the process within him, it is namely cthonic.

Necromanteion of Acheron is one of the first examples of Curvilinear architecture

The straight line occurred from cerebral activity, when man used tools and created structures, which are easier to solve in time. The outcome of said process is also visible outside of man, in the light of day, it is namely celestial.
Therefore, the rectilinear surface is a result of thought and is identified with reason, while the curvilinear always existed in the nature of man. The more a person evolves, the more the straight line dominates in his structures, because, it not only spares him time, it is also more economic.

Parthenon is the pinnacle of Rectilinear architecture

When then, in a given time, man, reaching some level of intellectual maturity, thinks of structurally expressing his religious needs, he chooses the curve for his passions and the straight line for his thoughts. But because man thought of his own origin, he came to the conclusion that he himself was also the creation of some rational thought, the same way he thinks and creates. Therefore he places this God, his Creator, based on the rectilinear logic, outside of man and above him, to watch and protect him. That is why the ancients sacrificed a white lamb, on a high altar, for the celestial gods.
On the contrary, as far as his passions are concerned, which make him clash with his fellow man, there is also some god responsible. And because it all starts within man, therefore the god of passion lies within man and bellow the earth, since he is not seen. They sacrificed then, to the chthonic gods, digging in the earth, the black lamb.

The STRAIGHT represents: above, thought, civilization, (and by a similar logic as the East) represents: light, truth, power.

The CURVE represents: bellow, the chthonic, the devious, the primitive, (and consequently) North which represents: darkness, lies, fear.

Necromanteion

West Gate of the Mortal

The Necromateion (or Nekromateion) of Ephyra is as important as Delphi and Delos, because it is one of the basic elements of the religion of the Greeks. Namely it is a part of a complete logic. If Delos symbolizes the beginning of a new life, the Necromanteion is both the end and the beginning of a new life, according to the movement of Apollo (Sun).

The Celestial Sphere

We observe then in the above image, that the Sun on 22/12 stops its downward course to the South, the moment it is found in the sign of Capricorn, in the month of Poseidon (December-January) which is visible from Greece, and starts its upward course to the North. It is when the winter begins and the human souls passed after death through that zodiac to reach the Heavens (“Gate of the Gods” – Winter Solstice). In reverse on 21/6 the Sun stops its upwards course to the North, the moment it is found in the Sign of Cancer in the month of Skirophorion (June-July) and starts descending to the South. It is the beginning of the Summer and the souls descended through this zodiac to enter new bodies (“Gate of Mortals” – Summer Solstice).

To see the function of this system, we should at the same time raise the axis EE’ of the celestial Sphere up to Delphi, which will become a Cosmic Center. Thus the “gate of the gods” will be found to the right of Delos and the “gate of mortals” to the left of the Necromanteion.

The position of the Necromanteion as a central gate to Hades is identified with the movement of the Sun and it can not be located outside of the straight line Delos-Necromanteion. The non existence of the Necromanteion also abolishes the function of reincarnation. So, the more the Greek civilization spreads, the further the Necromanteion is distanced from Delos. That is why Lucian talks about Hades beyond the Pillars of Heracles (Gibraltar) in 160 A.D.

Gate of Mortals

The Necromanteion or Nekyomanteion (“νέκυς” is the Greek word for dead) of Acheron (image IV) is located in the west part of Epirus, in the province of Preveza, north of the river Acheron. Homer mentions it alongside the sanctuary of Dodoni. It is estimated that it began its operation back in 1500 B.C.

The site of the Necromanteion was visited by many heroes for various reasons, like Theseus, Heracles, the son of Achilles Neoptolemy, Orpheus, Aeneas, Laodamia and Odysseus. They could of course enter Hades through some secondary entrance, but they would end up in the same place, because the acreage of Hades is fixed, the Necromanteion, because here lies the Palace of Hades and Persephone, where the river Acheron flows. This way the site of the Necromanteion was advertized so much, that the believers flocked there by the thousands. Moreover, a more systematic promotion of the cults happened during the reign of Pyrrhus, the son of Aeacides and Phthia, who propagated that he was descendant, on his father’s side, from Achilles. Pyrrhus was also the second cousin of Alexander the Great. Among the gods he promoted was also Persephone.

At Acheron river, time has a different meaning

Acheron was a son of Gaia who was sentenced to remain underground because he helped the Giants in their battle with the Olympian Gods. So this cold river for large periods of time was lost under the earth and reappeared, forming a dirty stagnation, with a depressing landscape; the lake Acherusia (image V) the name of which comes from the word “άχος” (achos) which means “sorrow”. Then it headed to the west towards the Ionian Sea. Cocytus, the “river of sighs” and Phlegethon, the “fiery river”, were two tributaries which both flowed into the river and the lake. In Cocytus also flowed the underground waters of the chasm of Styx. It was in this chasm that Thetis sank her son Achilles to make him immortal, with sole vulnerable spot the part of the foot where she held him from.
The scene was completed by deaths from malaria, because of the mosquitoes that arrived in swarms in the surrounding area and of the birds or animals which died from the fumes of the lake. Moreover, in the winter the whole flatland stagnated, leaving a hill above the surface of the water, like an island, on which the Necromanteion stood, at the point when Acheron moved towards the sea.

So then Charon transports with his boat the souls through the swamps of Acheron, to the other bank of the river for the cost of an obol (1/6 of a drachma). Acheron, just like the Nile of Egypt, is a border between Life-East and Death-West, as it descends from the North to the South. Charon directs the funerary boat and the souls row, through the environment we described. On the other bank Hades (Invisible) awaits with Cerberus and Orthus, his dogs, to transport the souls to the chthonic space, in order for them to be judged by Rhadamanthus and Sarpedon who were brothers of Minos, and the son of Zeus Aeacus. After judgment, the souls would proceed either towards the fountain of oblivion, next to the white cypress to the left of Hades, or they would follow the path to the fountain of remembrance, to the right, walking towards immortality. Judgment was about the serving of justice, namely punishment for those who headed towards the fountain of oblivion and reward for those who headed for the fountain of remembrance. The opinion of the Orphics was that the soul, depending on the mistakes of man while living, will enter in another body of an animal or human for catharsis and deliverance.

Necromanteion

mr-history-04-05-06-necromanteion

Necromateion of Ephyra

The Necromanteion (Image VI) is composed by the main Sanctuary which is a square with sides of 22 meters, within an auxiliary site that surrounds it. If we compare the Telesterion of Eleusis with the main shrine of the Necromanteion, we will observe that the two buildings are similar because both are structural representations of Hades. Their structural differences come from the different use of the sacred sites.

Archeologist S. Dacaris dates the main Sanctuary of the Necromanteion 150 later than that of Eleusis; this indicates that it followed the structural logic of Ictinus (Pericleon). Despite this, the exterior of the Necromanteion seems structurally primitive, like the walls of Tiryns, namely a construction based on the Lesbian structure. According to architect and archeologist A. Orlando, this system is known in the 7th century B.C., rises in the 6th century B.C. and declines in the 5th century B.C. In any way, it is clear that the clergy follows certain basic construction models so that the believer is not confused.

The believer enters the Necromanteion from the North through a courtyard with the auxiliary spaces and the rooms for priests and visitors. From there he would turn to the east to enter the northern corridor of the oracle, where (to the left) there were rooms for the preparation of the visitor, a psychological and physical preparation, in a completely dark space, where circulation was only possible by candles. He ate foods, like in the funerary dinners, which essentially drugged him and he heard hollow prayers to the chthonic gods. After his cleansing with water, he followed, escorted by the priest, the eastern corridor, throwing along the way a stone on a pile to remove the bad influence. Next, washing his hands in a marble sink, like they do in catholic churches, he would enter with a western direction the corridor of the Labyrinth, which is located south, where he was completely disoriented and only with the help of the Priest he would be able to proceed. If the modern visitor repeats the same course blindfolded and with the help of a friend because the temple is in ruins, he will have the same result as the believers once had.

The Labyrinth was constructed by three arched metal gates, which represented the gates of Hades; therefore in this exact place begins the use of the curvilinear construction for the chthonic gods, (you can read more about Rectilinear and Curvilinear architecture here). The beliver would finally turn to the North and reach the main hall, where the invoked deceased of the visitor appeared in the back, accompanied by the idol of Persephone, who had her palace below the hall.

The thick walls of the main part of the sanctuary, according to the archeologist S. Dakaris, concealed hallways so that the Priests could move around unseen. In fact one such corridor was discovered between two exterior walls. Consequently the believer would talk to the back of the hall, asking for answers, which he actually received from the clergy. Of course no one questioned the process we described, since even Lucian, to avoid the accusation of “irreverence” in 160 A.D., moved the scene of necromancy from Acheron to Mesopotamia. During his departure, the believer left through a different exit, in absolute silence, because the announcement of anything he saw and heard incurred the death penalty.

The palace of Hades and Persephone still has strong presence

Below the central hall where the believer conversed, was located the Palace of Hades and Persephone, with the fifteen chthonic arches. The floor was natural rock, rugged, because it was about the chthonic nature – “Gaia”. In the back, the long and narrow room facing north ended in a rock wall, through which the souls passed to main Hades to be judged. It is from there that the souls came to meet the living believer who invoked them on the upper floor, from the roof of which, the idol of the goddess was raised and lowered. In the northern side of the basement of the Palace of Persephone then, exists a theoretical gate, in the form of a tunnel. And because it is about a soul, there was no reason for openings, as the souls can phase through matter. This is a logic that we inherited and that is why it does not cause us questions when we are told about it or we watch it in the movies.