Sanctuary of Cabeiri

Religious Center of Thrace

As we mentioned, the Mysteries of the Cabeiri are much older than the ones of the Orphics. The cult however was also widespread in mainland Greece, and one of its centers was the sanctuary of the Cabeiri near Thebes. This cult was associated with that of Demeter the so-called “of the Cabeiri” and used, as opposed to the Orphics, the curvilinear architecture above the ground. Despite this, the worship of the Cabeiri is incorporated into the Eleusinian Mysteries (read here). The cult of the Orphics is Heliocentric (Apollo), the cult of the Cabeiri on the other hand is Geocentric (Gaia). Another important difference was that in the Eleusinian Mysteries the initiates had to speak the Greek language, while in the Cabeiri Mysteries anyone could be initiated, Greek or foreign. The geocentric system was supported by Aristotle who with his prestige also influenced the opinion of the christian world against Aristarchus from Samos, who was accused in 286 B.C. and was forced to flee to Alexandria. While Plato covertly accepted the Heliocentric theory of the Orphics.
This cult is introduced to prehistoric Rome in 1300 B.C. through the Etruscans and, according to Herodotus, comes from a region of northwestern Turkey, Lydia. In Caria there was a town named Cabera. Of all religious centers of antiquity, most inscriptions of the Roman period were found in Samothrace, where the Roman pilgrims were numerous. Samothrace was considered by the Romans to be a National Sanctuary, because they believed that the gods of Rome came from there, where they had arrived from Troy. These gods were brought to Rome by Aeneas who, according to the legends of the Romans, founded Rome. This is the reason the Romans preferred the initiation of Samothrtace, into the Cabeiri Mysteries rather than the Eleusinian. Marcellus, Cicero, Ouarrchon and Hadrian are some of those who visited the island of Samothrace and were initiated to the Cabeiri Mysteries.
So then, based on the above, namely the intervention of the Romans, the Orphic logic of Delphi started to change, all of the curvilinear structures of the Underworld, the arc the arch and the dome began to be released and to rise to the surface.


Pantheon of Rome is a great example of Curvilinear architecture ascending in the surface (reform of August)

All that we have mentioned in the article “Celestial and Chthonic – Sacred Architecture” is a time spanning process, so that the religious template is clearly defined and the entire Pantheon of the Greeks becomes accepted by the believers and encompasses upwards, but also downwards. Based on everything mentioned in the 1st Part of the book “Holy Sacramental Journey to Greece”, we observe that the above logic corresponds to the religious template we described with the chthonic and celestial gods and is about the Mythology of the Titanomachy and the Gigantomachy.
In this Mythology of Duality the concepts of “attraction” is incorporated, because it is about the relationship between opposing forces, where one is connected with the other, but also “repulsion“, which is the result of the clash of said forces. If however one of these forces is abolished, the logic of “universal attraction” is lost, resulting in the chthonic powers not cooperating with the celestial ones.


In the above image, we observe the logic of the Orphic template, as forces positive (+) and negative (-), which were in balance. With the abolition of the negative force, the system will create an upwards tension, resulting in the Basilica becoming a Domed Basilica (Celestial Dome) during the Christian period. Through this logic we realize how complete the Orphic worship was.
When then in 17 B.C. the Emperor Augustus abolished the chthonic gods for political reasons and later on, during the christian period, it was forbidden for people to associate themselves with chthonic forces, two basic problems started to emerge:

On the one hand issues of occultism and witchcraft started to emerge because the christian cult did not include the chthonic forces like the Orphic one, which troubled and still troubles mankind, reaching to the extreme cases of the “Holy Inquisition”.

On the other hand the concept of “universal attraction” was lost and these consequences will become evident in science. There was a period of 1.659 years until the time of Newton (1642-1727 A.D.), for the law of universal attraction to be discovered.

Celestial and Chthonic

Rectilinear and Curvilinear architecture

Let us see the logic through which the clergy separated the rectilinear from the curvilinear shapes, to create the architectural systems we mention in the 1st part of the book “Holy Sacramental Journey to Greece” (by author G. Baltoyannis); a logic which had to do with the psychology of the individual. Even to this day we follow the same logic and express ourselves with designs and volumes in the same way. Today however it is difficult to say if our own perception of space is a spontaneous expression or if it comes from the processing of the past.
Nowadays when an artist wants to express “joy” or “sorrow”, he will use the same logic on the canvas, otherwise he will not be understood. Therefore through education we learn to distinguish the things, in order to understand the artist. Of course art nowadays is not bound by rules, based on which the art critic gave his opinion on the work of the artist and which started to be created during the Renaissance. These rules came from the interpretation of the works of art of antiquity. Therefore our opinion is very deeply rooted. Let us now observe the logic of the Ancients.
There was a clear distinction between a straight line and a curved part. When someone wants to express a powerful emotion, like passion, love or anger and has to choose between a straight line and a curved part, he will not choose the rectilinear but the curvilinear; on the contrary, if he wants to express thought, justice, conviction, he will use the rectilinear part.
The reason he would choose the curvilinear would not be because that was forced upon him, ergo it would have been a matter of habit, but because man lives and belongs to the natural environment, where everything is based on curvilinear shapes; he instinctively and spontaneously understands those, without being able to see the process within him, it is namely cthonic.

Necromanteion of Acheron is one of the first examples of Curvilinear architecture

The straight line occurred from cerebral activity, when man used tools and created structures, which are easier to solve in time. The outcome of said process is also visible outside of man, in the light of day, it is namely celestial.
Therefore, the rectilinear surface is a result of thought and is identified with reason, while the curvilinear always existed in the nature of man. The more a person evolves, the more the straight line dominates in his structures, because, it not only spares him time, it is also more economic.

Parthenon is the pinnacle of Rectilinear architecture

When then, in a given time, man, reaching some level of intellectual maturity, thinks of structurally expressing his religious needs, he chooses the curve for his passions and the straight line for his thoughts. But because man thought of his own origin, he came to the conclusion that he himself was also the creation of some rational thought, the same way he thinks and creates. Therefore he places this God, his Creator, based on the rectilinear logic, outside of man and above him, to watch and protect him. That is why the ancients sacrificed a white lamb, on a high altar, for the celestial gods.
On the contrary, as far as his passions are concerned, which make him clash with his fellow man, there is also some god responsible. And because it all starts within man, therefore the god of passion lies within man and bellow the earth, since he is not seen. They sacrificed then, to the chthonic gods, digging in the earth, the black lamb.

The STRAIGHT represents: above, thought, civilization, (and by a similar logic as the East) represents: light, truth, power.

The CURVE represents: bellow, the chthonic, the devious, the primitive, (and consequently) North which represents: darkness, lies, fear.

Ancient Greek Architecture

One of the Architectural problems of the Ancient world, that concerned me as a student of Architecture in Rome, was the Arc. Namely this Architectural solution, that for my professors was a Roman invention, unknown in the Ancient Greek World.


Colosseum of Rome, completed in the 1st century CE

The same view prevails today, after 35 years. I noticed that in one of my last trip to southern Italy, where the tour guide of Taormina (Tavroménio) repeated just the same, namely that the Arc was a Roman invention. So I decided to get involved with it, to ascertain the fact, since, from the first moment, I felt that something should be happening in this ancient world, all of whose achievements we see with our own logic, without following it’s own mentality.

Turning, then, to the inquiry procedure with the eyes of the Ancients, I met unknown places and secret cults, playing a key role in shaping the architecture and formed a cosmic standard, with axes and shapes, through which the ancient satisfy their religious Needs. At the same time, they were trying to convert Theory into Action, with structures and symbols, placing the Sacred Temples in specific points, with axial relations between them. Here I met a world where Art was a component of a Global Logic, they should be working together as a whole. So insinuated that behind wars and conflicts, there was a Structured Authority, he had the wit to impose it’s will through advising, having Religion as instrument.

To solve the problem of the Ancient’s Logic only with the use of the findings and unilaterally, without putting your imagination to work and without entering into their shoes, it’s like using on a modern PC only as a calculator! This, however, increases the success of amateurs versus professionals, as is the Schliemann case.

Seeing, then, the fantastic effort of the volume “History of the Greek Nation” I felt – in the past – much more Confident. But today, after all my researches, I found that there are some key differences in the results and come to the conclusion that something is amiss. This I realized when I noticed that sixteen volumes, about 10,000 pages, are based on 159 collaborators archaeologists, historians, philologists, etc. and only report an architect and a mathematical, and none of the other professionals, for a period of 101.941 years.
But we know at least 754 Ancient Scientists (G. Georgakopoulos “Ancient Greek Scientists”), of whom 117 were architects and for a period of 1.200 years they were basically structurally implementing the theories of the Ancient Greeks. Furthermore, we must bear in mind that the architect of the time was a painter, sculptor, engineer, etc. But we know also that the architect of today has the most comprehensive training and profound knowledge of the Past through the History of Art, the Present constructing Buildings and the Future by processing future proposals. And all this implies: Building Design, Static Knowledge, Functional Needs Design, Interior Design, in deapth knowledge of the materials, Topography, Mathematics, Prospectively, Construction Details, social Structures knowledge a thousand of other things, resulting in a Global Knowledge.
So when this Professional is Absent, all individual analysis of Archaeological findings, of Historical facts, or of Philosophical thinking may be possible, but the system does not work Spherically (as a whole) – especially when other professions are missing in the process of analysis.

The result of all the above is that the prevailing opinion around the world is that the architecture of the Greeks is only the Linear Surface with Rhythms: Doric – Ionic – Corinthian and Formulas: Prostyle Amphiprostyle – Pavilion – Dipteral etc. I felt, therefore, the professional curiosity to study the subject of Construction Knowledge of the Ancient Greeks, and based on ideology tireless researchers, covering the Gaps which exist in the area of Greek knowledge, while I took into account tall the views of colleagues and professionals in other scientific areas.


Odeon of Herodes Atticcus, Athens

As, however, i went on in my investigations, construction-wise, I kept falling on puzzles and riddles, that opened access to other spaces; thus, I walked into a Labyrinth of Knowledge, whose road was not closed in front of me and that I followed; and without much effort, when I looked into the problems with eye of the Ancient entering in their mentality, I saw solutions. As one good God is in front of me that opened me the way; perhaps it was Apollo, maybe it was Dionysus, who knows? Using Pythagoras as a Key to open latched doors and understand the symbolism on the Sacred Temples until the Labyrinth lead me to a circular space; there, on one hand, as Petal Inclined I see seated people dressed as Greeks, watching in agony there in front of me, the Goathorned.
I bit my lips, because I realized that the Goathorned actor was playing Dionysus Revelation.

The researcher – G. Baltoyannis


Sports Center of Greece

As we observed when we mentioned Delphi, with the descend of the Dorians in the 12th century B.C. the reorganizing of the basic shrines within the Greek region begins, centered around Delphi, without however abolishing the secondary sites.
In image 13 of the 1st Part of the book Holy Sacramental Journey to Greece, aside from the connections of the shrines, we should also see how the basic sanctuaries are spread out, namely those the echo of which reaches us even to this day and age; which however are not city-states and serve a particular purpose. These are: Olympus, the Necromanteion, Delphi, Eleusis, Delos, Epidaurus and Olympia. Namely 7 shrines, which for the Pythagoreans is the perfect number. Sacred sites, each of which plays a particular role within the Greek region. They are geographically scattered, but axially connected to each other with a certain proportionate distance; and this is quite reasonable because each site is part of a whole.
So there is a mythological kinship between these sites. Namely Zeus occupies the sacred sites of Olympus (Dion) and Olympia. His sister Demeter with their daughter Persephone are found in Eleusis, while Persephone is also found in the Necromanteion with the brother of Zeus, Hades. The son of Zeus Apollo occupies Delos with his sister Artemis, and with his brother Dionysus he occupies Delphi, while the grandson of Zeus, Asclepius, the son of Apollo, is found in Epidaurus. These gods function as units, but also as duos, creating a system of balance.
From all of those gods Apollo comes second to Zeus, because he possesses Delphi, namely the administrative priestly center. When Zeus struck Asclepius, the son of Apollo, down with lightning, because he was raising the dead, Apollo took revenge by killing the Cyclopes who forged the divine lightning bolt. Thus Zeus punished Apollo and sent him to serve the king of Pherae of Thessaly, Admetus, who had him guard his herds, and that was the end of the quarrel. This means that Zeus remains above Apollo as the creator god.
Having a system where each god corresponds to his role, without the mythology being disproved or contradictory, is a quite difficult task; especially if we extend to the entire Mythological Pantheon, also including Astrology. So, besides fantasy, great planning by thousands of individuals is required, who possess exceptionally strong memory, since they did not have the technological aid of computers in order to be able to live up to their task, without disturbing the “world” of the believers of the city-states.

Olympia, like the Necromanteion, is located in the western part of Greece. As we noticed at a previous point, according to image XVIII, Delos (City of Light) and Epidaurus (113th Olympic Games) are located on the side of the gate of the gods, in the eastern part of Greece, where the souls ascend, like the Sun. In the western part of Greece, the souls descend like the Sun, to be reincarnated, according to the Platonic philosophers. So then, since this celebration was held in honor of dead heroes, like Pelops who organized the Olympic Games and Heracles thanks to whom the games started to be held again after they had fallen into decline, this also means the theoretical participation of the heroes in the games, as reincarnated athletes. This is also evident in the case of Alexander but also Pyrrhus, who imitated Heracles against Rome which had the form of the Lernaean Hydra. That is why they were held every four years, during the full moon, after the Summer Solstice, during the month Hekatombaion (July-August), when the Sun in its descending course, passes through the zodiac of Leo, which symbolized the Nemean Lion, namely the first labor of Heracles (image 5, photo I).
We observe then, how reasonably the Olympic games are defined, where the myth is accompanied by its corresponding zodiac sign which is also the beginning of the labors of Heracles, namely Heracles begins with his labors based on the “Unit”. Apollo according to the Pythagoreans was the Unit, namely the Sun which transitioned through the zodiac of Leo, but also Zeus because he was the beginning of everything, namely the guardian god of Olympia, but also the beginning of the yearly calendar. They used to call the unit Hearth or fire, namely the flame we get with mirrors from the rays of the Sun. They also called the Unit Chaos, darkness, chasm, Tartarus or Styx, which has to do with the chthonic character of the Olympic games.
In order for the athlete to enter the stadium he would go under the “crypt”, which indicates a hiding place or an underground unseen place. The crypt was an archway (consecutive arches) which started at the Lodge of Sound, a fact that points us to the logic of the Theater, where the sound originates in the chthonic space through the Chaeronian scale ( Theater of Dion). Consequently the Stadium is the chthonic space, where the victor, emerging again from the crypt, functions pretty much like Heracles (see Necromanteion in Land of the Dead), when he visited Hades and fought Cerberus, whom he brought back in chains to present to Eurystheus. This archway, but also the arch, will become in later times, the Arcs of Triumph. The victor then, emerging triumphant from the crypt, is like he is beating death. Thus he gains more prestige in the eyes of the people who see him pass through and he himself becomes a symbol and a demigod. The city of the victor then, has no need of walls, which it symbolically demolishes, in order fro their demigod, the new Heracles, to enter the city.
According to Hippias of Elis (400 B.C.), the first officially established Olympic Games, took place in 776 B.C., reorganized by the legislator of Sparta Lycurgus and Cleisthenes of Pisa, by order of the king of Elis, Iphitus. They were abolished by Theodosius I in 393 A.D.
The presence of Heracles in the space of Olympia reasonably brings about the presence of his father Zeus, who, through the games of his son recognizes the games of the Greeks in this space. The three month “Truce” then is the proposal of the Priesthood so that the tribal disputes end and the struggle to become an athletic event without casualties.
The three months of the truce was the time needed by the athlete of even the most remote colony, to reach Olympia to compete and leave without any problems. In the 5th century, the population of the 3.000 colonies reached at least 9 million inhabitants; including Greece, the population of the Greek world was roughly 15-20 millions, when Egypt had 8 millions. Namely we are dealing with a population that in today’s standards would be about 250-300 millions. Opening a map of the colonies, let us imagine all of these movements of the athletes. During this period there was a general excitement in all of the Mediterranean and the region of the Black Sea, directed to Olympia. Athletes, friends and relatives, alongside the representatives of the city-states, struggled with the waves for three months. They stopped in intermediary stations along the way, talked, laughed, traded views. The entire Greek world was set in motion, because viewers from everywhere flocked there. The rest of the world, the so-called “Barbarians”, saw, listened, but did not understand why someone would go there to receive an olive wreath.
The issue however is, that this way Olympia became a vast information center, through a language (like the Internet), connected to 3.000 service providing centers, where the actor was human memories. This way the Greek world achieved greatness. Whoever reached Olympia, would find his world there and with him he would bring samples of his achievements abroad, pretty much like the migrating Greek of America does nowadays. So then, Herodotus (484-420 B.C.) did not have to travel to gather information; it was enough to ask a colonist, on his way to Olympia. In any case, through this process the Greek knew everything. So then, Olympia was not just an athletic center, but also an information center, with a radius of at least 2.500 kilometers. Otherwise we would not be talking about Hellenism today, after the pressure of the Byzantine and the Ottoman Empires.
This information was spread by those attending the games in every direction within Greece. As far as the North, Epirus, Macedonia and Thrace, where the athletes and visitors came from-most of them by sea, because we should consider that the journey by land from Athens took at least five days.
All of the city-states were interested in knowing what existed in these foreign lands, in order to organize trading missions. It was the source of information of the clergy which directed colonization, beyond scouting missions, like the Argonautic campaign. After that the processing of information and the exchange of views started, the conclusion of deals, the re-connection with the Metropolis and many more. So when all of these people left for the faraway colonies, took along with the soil of the homeland, new commercial ideas. This led the trading city-states to develop banking systems of loans, interests, checks and remittances. Athens as early as the 5th century B.C. had may bankers outside of the city, in the colonies, such as Alexandria where the Athenian currency was in large circulation. Otherwise the system of colonies developed by the Greek world would not be able to function. Thus, as P.Leveque mentions, the colonies managed to change the inland, like in Egypt of the Ptolemies, which was in the neolithic era. The Greeks brought about the agricultural and husbandry revolution, thanks to the import of iron tools and all kinds of new plants or animals, like fig trees, pomegranates, walnut trees, but also garlic, sheep and donkeys.
Therefore we should not view the site of Olympia through the narrow context of the athletic games. Because if that was the case, the Olympic games would be held nowadays permanently in Greece, while in fact there is a “battle” to determine who is going to undertake the organizing of the event. And of course we are referring to a people which based on its commercial spirit, spread out to all of the shores of the Mediterranean and the Black Sea, primarily to trade.

When any night of the year, in the clear sky, we observe the multitude of constellations with the naked eye, all that we shall see, except for some for which we need the aid of a telescope, are about the Greek Mythology, with the shape and the actions of it’s gods and heroes. So, for 365 days a year the population of Greece sees in its sky the astral contribution of their ancestors to all of the peoples of the earth. In a circular correspondence of the Pan-Hellenic sanctuaries. And naturally it is unthinkable whether man will ever be able to reach these constellations. The sacred centers may be destroyed, but all this celestial dome remains eternally there.
So then when the summer of the Olympics arrives, we shall also see the constellation of Heracles (image 5) fighting the Lernaean Hydra (Draco constellation), according to Eudoxus, which is about his second labor.

image 5 – Constellation of Hydra (Draco constellation)

All of the celebrations mentioned, started with the full moon, which appeared in each zodiac through which it completed its phases (Moon phases), following the attic lunar calendar or the lunar-solar calendar of the Macedonians. That is why Greece did not have a unified calendar. And all of this without the aid of computers.
There are two important characteristics of the sacred site: The one was that the games were not limited only to men, but there were also women games, where only virgins were are allowed to compete in. They competed in a 160 meter race, that is why the temple of Hera of 600 B.C. exists. As far as the men were concerned, after they swore an Oath to Zeus Horkios on the first day, on the second day there was a children race, wrestling, boxing and pankration. On the third day there were chariot races and the pentathlon (jumping, discus throw, stadium, javelin throw and wrestling). On the fourth day there were the men sporting events of racing, wrestling, boxing, pankration and shield racing. The last day was reserved for awarding the winners and for the sacrifices to the gods.
The other characteristic was the Zanes, namely bronze statues of Zeus which were placed before the entrance of the stadium, funded by the fines of those who broke the Games rules.

image XIX

The temples of Hera and Zeus axially face Delos (image XIX), recreating the myth of the birth of Apollo. But aside from the temples, offerings, altars, statues and treasuries (small buildings where precious offerings to the sacred sites were kept), Olympia also possessed a well organized athletic infrastructure, with a gymnasium for the training of the athletes, a wrestling ring, guesthouse, the so called Leonidaion, the prytaneion for housing foreign important visitors, a bouleuterion for the political and social operation of the site and the Hellanodikaion for the Hellanodikai who judged the result of the games.

In the 2nd century B.C., the Olympics decline under the poor management of the civilization by the Diadochi of the Hellenistic period, who promoted the Games held in their own newly founded states. During this period, frugality is replaced by luxury and the political promotion of the king. So they were turned from games of worship to games of spectacle, that is why new athletic events were added and the athletes gradually became professionals. During the first period of the Roman conquest (146 B.C.), there were serious damage and pillaging like that of Sulla, but later on during the Imperial era, Olympia regained its former prestige, with many building projects, without however the athletic ideal of the pre-Hellenistic era returning. The celebrations continue until 393 B.C. when Theodosius I forbids them and in 426 B.C. Theodosius II orders the destruction of the temples.


West Gate of the Mortal

The Necromateion (or Nekromateion) of Ephyra is as important as Delphi and Delos, because it is one of the basic elements of the religion of the Greeks. Namely it is a part of a complete logic. If Delos symbolizes the beginning of a new life, the Necromanteion is both the end and the beginning of a new life, according to the movement of Apollo (Sun).

The Celestial Sphere

We observe then in the above image, that the Sun on 22/12 stops its downward course to the South, the moment it is found in the sign of Capricorn, in the month of Poseidon (December-January) which is visible from Greece, and starts its upward course to the North. It is when the winter begins and the human souls passed after death through that zodiac to reach the Heavens (“Gate of the Gods” – Winter Solstice). In reverse on 21/6 the Sun stops its upwards course to the North, the moment it is found in the Sign of Cancer in the month of Skirophorion (June-July) and starts descending to the South. It is the beginning of the Summer and the souls descended through this zodiac to enter new bodies (“Gate of Mortals” – Summer Solstice).

To see the function of this system, we should at the same time raise the axis EE’ of the celestial Sphere up to Delphi, which will become a Cosmic Center. Thus the “gate of the gods” will be found to the right of Delos and the “gate of mortals” to the left of the Necromanteion.

The position of the Necromanteion as a central gate to Hades is identified with the movement of the Sun and it can not be located outside of the straight line Delos-Necromanteion. The non existence of the Necromanteion also abolishes the function of reincarnation. So, the more the Greek civilization spreads, the further the Necromanteion is distanced from Delos. That is why Lucian talks about Hades beyond the Pillars of Heracles (Gibraltar) in 160 A.D.

Gate of Mortals

The Necromanteion or Nekyomanteion (“νέκυς” is the Greek word for dead) of Acheron (image IV) is located in the west part of Epirus, in the province of Preveza, north of the river Acheron. Homer mentions it alongside the sanctuary of Dodoni. It is estimated that it began its operation back in 1500 B.C.

The site of the Necromanteion was visited by many heroes for various reasons, like Theseus, Heracles, the son of Achilles Neoptolemy, Orpheus, Aeneas, Laodamia and Odysseus. They could of course enter Hades through some secondary entrance, but they would end up in the same place, because the acreage of Hades is fixed, the Necromanteion, because here lies the Palace of Hades and Persephone, where the river Acheron flows. This way the site of the Necromanteion was advertized so much, that the believers flocked there by the thousands. Moreover, a more systematic promotion of the cults happened during the reign of Pyrrhus, the son of Aeacides and Phthia, who propagated that he was descendant, on his father’s side, from Achilles. Pyrrhus was also the second cousin of Alexander the Great. Among the gods he promoted was also Persephone.

At Acheron river, time has a different meaning

Acheron was a son of Gaia who was sentenced to remain underground because he helped the Giants in their battle with the Olympian Gods. So this cold river for large periods of time was lost under the earth and reappeared, forming a dirty stagnation, with a depressing landscape; the lake Acherusia (image V) the name of which comes from the word “άχος” (achos) which means “sorrow”. Then it headed to the west towards the Ionian Sea. Cocytus, the “river of sighs” and Phlegethon, the “fiery river”, were two tributaries which both flowed into the river and the lake. In Cocytus also flowed the underground waters of the chasm of Styx. It was in this chasm that Thetis sank her son Achilles to make him immortal, with sole vulnerable spot the part of the foot where she held him from.
The scene was completed by deaths from malaria, because of the mosquitoes that arrived in swarms in the surrounding area and of the birds or animals which died from the fumes of the lake. Moreover, in the winter the whole flatland stagnated, leaving a hill above the surface of the water, like an island, on which the Necromanteion stood, at the point when Acheron moved towards the sea.

So then Charon transports with his boat the souls through the swamps of Acheron, to the other bank of the river for the cost of an obol (1/6 of a drachma). Acheron, just like the Nile of Egypt, is a border between Life-East and Death-West, as it descends from the North to the South. Charon directs the funerary boat and the souls row, through the environment we described. On the other bank Hades (Invisible) awaits with Cerberus and Orthus, his dogs, to transport the souls to the chthonic space, in order for them to be judged by Rhadamanthus and Sarpedon who were brothers of Minos, and the son of Zeus Aeacus. After judgment, the souls would proceed either towards the fountain of oblivion, next to the white cypress to the left of Hades, or they would follow the path to the fountain of remembrance, to the right, walking towards immortality. Judgment was about the serving of justice, namely punishment for those who headed towards the fountain of oblivion and reward for those who headed for the fountain of remembrance. The opinion of the Orphics was that the soul, depending on the mistakes of man while living, will enter in another body of an animal or human for catharsis and deliverance.



Necromateion of Ephyra

The Necromanteion (Image VI) is composed by the main Sanctuary which is a square with sides of 22 meters, within an auxiliary site that surrounds it. If we compare the Telesterion of Eleusis with the main shrine of the Necromanteion, we will observe that the two buildings are similar because both are structural representations of Hades. Their structural differences come from the different use of the sacred sites.

Archeologist S. Dacaris dates the main Sanctuary of the Necromanteion 150 later than that of Eleusis; this indicates that it followed the structural logic of Ictinus (Pericleon). Despite this, the exterior of the Necromanteion seems structurally primitive, like the walls of Tiryns, namely a construction based on the Lesbian structure. According to architect and archeologist A. Orlando, this system is known in the 7th century B.C., rises in the 6th century B.C. and declines in the 5th century B.C. In any way, it is clear that the clergy follows certain basic construction models so that the believer is not confused.

The believer enters the Necromanteion from the North through a courtyard with the auxiliary spaces and the rooms for priests and visitors. From there he would turn to the east to enter the northern corridor of the oracle, where (to the left) there were rooms for the preparation of the visitor, a psychological and physical preparation, in a completely dark space, where circulation was only possible by candles. He ate foods, like in the funerary dinners, which essentially drugged him and he heard hollow prayers to the chthonic gods. After his cleansing with water, he followed, escorted by the priest, the eastern corridor, throwing along the way a stone on a pile to remove the bad influence. Next, washing his hands in a marble sink, like they do in catholic churches, he would enter with a western direction the corridor of the Labyrinth, which is located south, where he was completely disoriented and only with the help of the Priest he would be able to proceed. If the modern visitor repeats the same course blindfolded and with the help of a friend because the temple is in ruins, he will have the same result as the believers once had.

The Labyrinth was constructed by three arched metal gates, which represented the gates of Hades; therefore in this exact place begins the use of the curvilinear construction for the chthonic gods, (you can read more about Rectilinear and Curvilinear architecture here). The beliver would finally turn to the North and reach the main hall, where the invoked deceased of the visitor appeared in the back, accompanied by the idol of Persephone, who had her palace below the hall.

The thick walls of the main part of the sanctuary, according to the archeologist S. Dakaris, concealed hallways so that the Priests could move around unseen. In fact one such corridor was discovered between two exterior walls. Consequently the believer would talk to the back of the hall, asking for answers, which he actually received from the clergy. Of course no one questioned the process we described, since even Lucian, to avoid the accusation of “irreverence” in 160 A.D., moved the scene of necromancy from Acheron to Mesopotamia. During his departure, the believer left through a different exit, in absolute silence, because the announcement of anything he saw and heard incurred the death penalty.

The palace of Hades and Persephone still has strong presence

Below the central hall where the believer conversed, was located the Palace of Hades and Persephone, with the fifteen chthonic arches. The floor was natural rock, rugged, because it was about the chthonic nature – “Gaia”. In the back, the long and narrow room facing north ended in a rock wall, through which the souls passed to main Hades to be judged. It is from there that the souls came to meet the living believer who invoked them on the upper floor, from the roof of which, the idol of the goddess was raised and lowered. In the northern side of the basement of the Palace of Persephone then, exists a theoretical gate, in the form of a tunnel. And because it is about a soul, there was no reason for openings, as the souls can phase through matter. This is a logic that we inherited and that is why it does not cause us questions when we are told about it or we watch it in the movies.